Category Archives: Magick

For the Love of Gaiman

Sep 9, 2010

“It feels weird that this beloved author who hardly anyone i know except people i’ve met over the internet have ever heard of is now making movies with these big famous people in them. (Okay, yes, i know he’s pretty well known, just no one in my everyday life except people i’ve introduced to his work know of him.) I find myself feeling very happy for him the way you would be pleased for a family member or old friend who became big and successful.”   

         -From a Neil Gaiman fansite

Treed

Neil Gaiman is a well-known fantasy writer with a cult following- an obsessive group of fans dedicated to discussing and collecting his work, life, and speculating about future projects.  I personally discovered his universe on accident, while working at a library during my Las Vegas high school years.  The Las Vegas library district has a killer administration system that allows each branch to select a focus.  Our library specialized in African-American Studies (I loved that section so deeply), but for some reason, had a pretty awesome graphic novel section.

Las-Vegas-Ladies

Graphic novels fell under PN.  Know your Dewey Decimals, people.  It was lower down on the shelves, meaning they got less play and escaped the debasement of Crazy Tommy, the crackhead with one dread and a leopard fur coat.  Crazy Tommy would often and enthusiastically pick a book at random, copiously lick it, cover to back, then replace it backwards and upsdide down.  So on my shelf-checks, I’d often grab an out-of-place book, to find wet, smelly, crack-tongue saliva all over my hands and a two-toothed pervy smile from Crazy Tommy.  I will never, ever forget that hideous smell.

Dewey
So, relief, then, that the graphic novels were fresh and nice, unbuckled by water damage and cleverly altered to hardcover by the library district.  After finding this treasure trove, I devoured amazing series, one by one:  Preacher Gone To Texas, Hellboy, Black Orchid, The Invisibles, Sin City.  My most beloved:  Sandman.

Lbw-sandman_1

Dave McKean and Neil Gaiman captured my mind for hours on end.  I tore through the novels, binging on the joy of a solid story.  Good books keep you up all night, absorbed until the sun comes up, genuinely saddened as the pages thin, and completely satiated as you close the cover.  Every Sandman novel’s given me that joyous fulfillment, thanks to Neil Gaiman.  Gaiman is admired for solid storytelling and realistic characters, but to his cult fans, he is loved for much more.  He functions as a master storyteller, allowing readers to identify with modern gods, keeping old traditions alive.

Sandman

Neil’s stories fall into traditional sci-fi formats.  A lone warrior collects friends on their journey to combat a larger opponent.  A fallen hero struggles to make amends.  Kingdoms, planets, time-travel, magic, kings, queens, and ESP are all the norm in Neil’s universe. An awesome aspect of his work:  Neil’s characters all populate the same universe, with pop-culture references sneakily tucked in.

His longtime visual partner Dave McKean has a dark, eerie, mystical aspect to his work.  He’s heavy on the symbols, muted tones, antiquated collage, photoboxes, skulls, feathers, and smudged edges.

Davemckeandeath

Neil’s female characters are brave, sassy, mean, flawed, gorgeous, ugly, wicked, catty, demented, evil, calculating, dishonest and noble.  They’re well-developed female characters who hold their own in confrontations. Neil also includes well-developed gay characters, not afraid to explore sexism and racism. In the male dominated comic/fantasy culture, his novels are a world where girls can feel safe in knowing Neil understands them.

Delirium

Neil is a master storyteller.  His books and stories appeal to the literary fan.  He’s named in the Dictionary of Literary Biography as one of the top ten living post-modern writers.  He’s not merely a cult writer; he’s a great writer who appeals to several cult fanbases simultaneously.  His command of mythology and history is impressive.  Traditional gods, faeries, mythologies, Shakespearean characters, and historical figures are realistically brought to life.

Sand_Gal_Death

Clearly, I’m a fan.  I’ve gone out for Halloween dressed as Death and spent way too much money collecting the Sandman series one by one.  Replacing books I’ve given out to friends while attempting to spread the love adds to the grand total.  But it’s OK.  I’m so lucky to have stumbled upon this series, a benchmark of creativity.  Thank you, Las Vegas Library District, for keeping culture alive.  And thank you, Neil, for keeping our gods and heroes relevant.

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Zero Zone Tree Graffiti

Aug 8, 2010

House176

When I left Portland six months ago, the process of packing took eight full weeks.  A two-story house filled with memories, furniture, and artwork, all with a deadline for dissemination.  Things I’d made, loved and saved needed to be purged.

Making Table

I ripped through storage, ruthlessly trashing drawings and half-stitched clothing ideas.  2D items worthy of salvation were hastily pasted into scrapbooks.  Paintings deemed somewhat interesting were auctioned online.  The entire house was a labeled, sorted frenzy of STUFF.

JUST TRASH

It was a hard, cold time of harsh decisions, made even more painful by my cat’s death.  I took her collar and left it under her favorite tree, under a little bush.

The Tree

This tree was a favorite of another animal, a fat and furry squirrel.  He was named Meatball, a corn-loving dominator, defending the holy peanut butter-slathered corn from other, treeless, poverty-stricken squirrels.  Meatball was the last family member left.

Meatball

Until Meatball revealed himself to be a female and disappeared quickly thereafter.  Nothing was as it seemed.  All expectations were off.  Life was leaving me.

I could only rely on the trees.  I would put on sneakers and my hoodie to embark on a raging, rejected and chilly run when I ran out of tape or Sharpie juice. I’d tear through the Oregon parks, then slow to a walk, looking up in tree branches to hear squirrel chatter, the little nervous voices stirred up by a human presence.

TREE STREET

I was leaving the Oregon trees soon and I decided to leave something to them.

All the disjointed, experimental paintings that were so hard to throw away but unworthy of in-home display could find another place, to shout out to forest wanderers like myself, people looking for teeny signs of life and communication among the planted giants.  I began taking paintings, a hammer and nails on  my runs, smuggling them in a tote bag, seeking and running and looking for the right opportunity to put up my shout out.

TREE ART1

I felt bad about nailing the paintings directly into the trees.  It was loud and weird when someone noticed my work.  A young woman stops short from a sprint to reach into her awkwardly large tote bag and begin nailing a bizarre painting to a mature tree in the middle of a park.

TREE ART2

Not entirely comfortable pounding paintings into live wood, I decided to nail paintings into street posts instead.

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I took 3D sculptures and dioramas I’d documented and left them under bushes, trailed dolls across sidewalks, tucked little sculpey people into knotholes.

TREE ART6

I was giving bits to the city against its will.  I was leaving a mark on the wood and pine of Oregon, the same way it carved its depressing, rainy, obstinate habits into my life for five years.

TREE ART3

The paintings may be gone now, and I’m sure the ones on cardboard have disintegrated.  But like the fading of acrylic on wood, the pain of Portland is fading away as well.

TREE ART7