Transmedia branding: the Why and the How

Jul 7, 2013

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Working as a strategist and artist at the intersection of creativity and commerce, I had the honor of speaking with Ron Martino and Josh Wattles at a fan-focused Transmedia LA event.

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Hal Hefner, Noah Nelson, Jay Bushman and Michael Annetta organize the thousand-plus-strong Los Angeles group, setting up events the first Monday of each month, often at Busby’s East.  The venue is perfect– panelists get to speak from couches under a large screen to a crowd of people perched on balconies, seated in rows, and sprawled across couches.

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I set up the evening with an explanation of why branding is so important for transmedia creations: the world is growing increasingly complex.  In an overwhelming landscape, consistency and familiarity breed trust, gain attention, and create fans.

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The incredibly intelligent Ron Martino from deviantART (aka techgnotic) spoke about his success in managing fans, discussing deviantART’s excellent “artist-generated-content” illustrated story, Odyssey.  You must read this story to understand the quality of storytelling and attention to narrative detail a large group of disparate artists and writers can generate within a well-defined structure.

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Josh Wattles provided a legal perspective, discussing how deviantART is managing the rights of artists within a group-created project.  Short answer- there is no short answer.   This is why transmedia is the future.  It’s a complex, wide-open minefield of opportunity.  That’s entropy for you.  As I said in my deck and many times before: the fastest to adapt are the first to succeed.

Whether you enjoyed the talk in person and want the deck, or missed the event and need to catch up on the insights, the full interactive PDF is below.  I’d love to hear what you found useful or intriguing– hit me up on Twitter!

Live, learn, and optimize,

suzymae

Major thanks to everyone who came out to support, especially Hal for organizing, Ron for the collaborative preparation, and Jon Hrubesch for permission to use his beautiful image, “Stargate Control,” in the deck.  Altered iPhone images (hey, it was dark in there!) via A Beautiful Mess.

Hollywood the strange

Jul 7, 2013

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Somebody once asked me if moving to  Hollywood, the most branded neighborhood in the world was intentional.  Hadn’t crossed my mind.  But it does have significance.
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My childhood was spent in a globally branded city– Las Vegas.  The Entertainment Capital of the World.   Sin City.  What happens there… whatever, you know the rest.   The vibes of its brand permeated the city’s atmosphere.  Gambling, hookers, easy money, hustling.  A predatory place for a young girl to grow up, and a desperate lifestyle of drinking and lost life savings for lots of locals.  In the weeks before I left town, I spent hours driving around Las Vegas wondering:  does this city have a soul?

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Living in Hollywood is another experience of observation.  While “Hollywood” is shorthand for the industry that supports most of this city, the actual neighborhood is a mix of cultures and commerce.  I see dazed tourists shuffle down Hollywood Boulevard, grimacing at the laid-out street folk openly smoking weed and testifying about Jesus via sidewalk chalk.   The youngest girl in a chubby family, wearing a glitter purse, pink sweats, and child high heels openly grimaces at a bus stop bum, but doesn’t notice him laughing at her entire family as they pass.

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I see strollers after strollers, young mothers enlisting the oldest to push shopping carts full of babies across Santa Monica, from grocer to fruit stand and then back home to a midcentury apartment building, with thirty-plus un-airconditioned units and two palm trees in front.  Odd murals dot the street– off-brand Homer Simpson, barely recognizable Ralph Lauren Polo cologne, anorexic Michelin Man, painted in unrealistic perspectives.

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At Hollywood and Vine, aspiring teenage record producers perch on planters in their telltale orange lanyards, scholars at the Los Angeles School of Recording Arts.  Smoking weed with their Beats by Dre headphones blasting from the neck, each and every one of them is going to make it.  They’ll all be working with Jay-Z, eventually.

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In Little Armenia, where couches and mattresses and broken big screen TVs accumulate endlessly on street corners, old men line the sidewalks, congregating in small groups.  Smoking, drinking Turkish coffee.  Coughing and speaking loudly in dark, hoarse Armenian.  Watching the neigborhood, never smiling, never waving, only observing the evolution of their landscape, and the endless parade of double-parked Land Rovers.

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Jumbo’s Clown Room lures the hipsters to Thai Town at night.  Smog Cutter’s karaoke down Virgil is the next step, a catch-all for the kicked-out drunks who drive home blasted anyway.  The Spare Room.  The Virgil.  Good Luck Bar.  They blur at night.  Slow down as you pass the Scientology building to see vacant-eyed Orgs robotically gardening in the dark.

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The universally accepted Hollywood brand– convertibles! Movie stars!  Glamour!  Youth!  None of this truly applies to the East Hollywood neighborhood I know.  But I love my neighborhood, filled with ridiculous murals, wild characters, independent businesses and a flat landscape, perfect for biking.  If I really wanted glamour, I’d move to WeHo.

xo,

suzymae

Is college education a part of America’s future?

Jun 6, 2013

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You know, I saw a bus ad yesterday saying “65% of tomorrow’s jobs require higher education.

If over half the country’s future jobs require a degree, how is it “higher” education? Isn’t it then just standard education?

And why are people now “required” to take out loans for an educational system that’s gotten worse over time, yet is more expensive?

Where did this number come from, anyway? What statistics and studies have led a college to believe a generation of people facing a culture in decline, a lack of trust in “job-creators,” and a desire for entrepreneurship are going to blindly follow the pattern our parents did?

I’m not buying it.  Forbes isn’t either.  I love that “Sheepskin Psychosis,” a critique of America’s higher education system, was written in 1964.  Imagine how far ideals have fallen since then.  While I’d like my doctors to have degrees and excellent educations, America’s future is underserved by its educational system.

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My friend Melissa McManigal, producer extraordinaire, sent an article from LinkedIn my way, with an insightful message:

“I think it is a fascinating topic.

 First of all, I believe that higher education is a racket.  It is a “for profit business”, just like everything else.  This is not to discount the invaluable experience of my university years, but I have always maintained that half of the value at least was real life and the other half academic.  

To encourage people to “go for broke” at the suggestion that they “might” stumble upon a better career path, well… I see a lot of wise young people weighing the practicality of university and choosing other paths.

However, note that it takes someone with a Masters (at Google) to tell people that less formal education is “acceptable”.  If it were someone with no university education making that statement, would it be received in the same way?”

Read the interview with Laszlo Bock here:

“Google famously used to ask everyone for a transcript and G.P.A.’s and test scores, but we don’t anymore, unless you’re just a few years out of school. We found that they don’t predict anything. What’s interesting is the proportion of people without any college education at Google has increased over time as well. So we have teams where you have 14 percent of the team made up of people who’ve never gone to college.”      

     Laszlo Bock, Google’s senior vice president for people operations. LinkedIn, June 20 2013

Update:  I put together a primer on college application and opportunity for my sister years ago when she was considering schools.  Including commentary from working professionals and a basic description of how to apply for school, I welcome any high school student on the fence to check it out.  Any choice you make should be informed: